My love for Stephen King and all his works began not with any of the iconic film adaptations, but rather with the thrilling, disturbing novel Misery.
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Truly great directors should not be afraid to fail, and we should support artists even when they do so.
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My digital footprint contains no shortage of articles, essays, and rants about my second favorite movie of all time, Twin Peaks: Fire Walk With Me.
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Sometimes there is no salve as healing as an uncontrollable, guttural fit of sobbing.
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The joy in discovering a new classic, a hidden gem that when it gets a wide release, will become the movie everybody’s been talking about, is a delicious, nearly indescribable high.
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I find that the haunted house is merely an empty setting, waiting to be filled with dastardly, dreadful horrors any specific imagination conjures up.
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I yearn constantly for theaters like the Brattle and the Coolidge Corner Theater to release their up
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If there is a cure for loneliness, for being wrought with boredom and distressed in monotony, it can likely be found at the movies.
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There’s merit in film as meditative art just as there is merit in film as entertainment.
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This film is just so spectacular, so over-the-top, so ridiculous and hilarious that it begs to be seen on the big screen — or for me, on any screen, as often as possible.
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And if you disagree, I don’t care — that’s why it’s The Karenna Oscars.
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Like Ocean’s Eleven for the doomed generation, How To Blow Up A Pipeline is a thrilling heist film hinging on the urgency of the crime.
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I’ve always, consciously or not, searched for Asian American women in media, people who looked like me. Multiple recent films have celebrated Asian-American and immigrant culture so beautifully that I will never forget how special it is that I get to exist at the same time as them.
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Unlike other films that invoke fear of our unknowable futures, Her examines a persisting loneliness, one that can’t be cured by new technology. Innovative, fascinating technologies don’t squander or dispel our humanity.
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As a college student, I’ve had my fair share of dreary late nights caught walking around the city, mostly because there is some sort of incredible power and self-assurance in knowing that I can.
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Oh, the concert film. Swaths of fans, tight intimacy, winks to the camera, audience sing-alongs, and everything in between.
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Though the popularity of Parasite has increased demand for watching more international films in America, our U.S.-centric watching habits still largely inhibit our ability to watch and learn from so many beautiful international films.
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Together, agents Murtaugh and Riggs find their magnetic chemistry and humorously dangerous banter to create a fantastic partnership – and an even better friendship.
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In a world marred by destruction and peril, we must persist, we must trust ourselves and our dreams, and live as colorfully as possible.
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Out of two recently released, IFF (Independent Film Festival) Fall Focus-screened new releases set in Massachusetts, Eileen is definitely not the feel-good one.
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